August 5, 2015 § 2 Comments
Dear Friends of Metropolis,
My name is Matthew Karl Weber and I am the set designer and technical director for Monty Python’s Spamalot. I write this note to invite you to become part of our set build and also to be part of a dramatic change in paradigm of how theater sets are constructed/deconstructed.
A brief history of me as a builder and designer:
I grew up in Montana with a family who loves to save awesome junk and eventually use it or leave it for 17 years until someone else uses it. After moving to Indiana, I entered the theater scene and received my BA in Theater at Valparaiso University. At VU I worked in the set shop and saw something that I couldn’t believe. The show, Pirates of Penzance, featured a beautifully huge rocky back drop with mountains and pathways and a budget of about $10,000. After a three weekend run, we began strike, using sledge hammers and saws, hammering the set pieces to dumpster size. This disturbed me as we had just spent untold hours and money on something that lasted three weeks.
While I was troubled, I also became inspired. This event started my career as a designer.
I devoted myself to finding more sustainable ways of set construction, creating items to be functional in and outside of the theater, using found and salvaged materials, minimizing the purchase of new materials and, of course, minimizing waste through this repurposing of existing materials.
I have spent recent years working in smaller theaters and art installations for music and art festivals designing and building materials made from scrap and salvage and then finding homes for pieces after the event is over. This method works and I am glad for this opportunity to share my inspiration with you.
Please check out some of my past work here: https://www.facebook.com/Junkmonknsun?fref=ts
How Can You Help?
For the construction of the castle and other set pieces in Spamalot, I am seeking many things that we come across every day and often throw out.
- White Styrofoam packing blocks; the kind that pack electronics and appliances
- Fake Christmas trees
- Fake vines, grasses, or shrubs
- Foam board insulation
- Larger pieces of scrap lumber; 3′ or longer all sizes and ply wood
- Blue large bed sheets, curtains.
- Weird statues; plastic, plaster, or concrete
If you have some of the materials, we hope you may be able to deliver the materials to our build space but we can also pick them up.
I will also be leading an all-ages/all-skills volunteer day on Saturday August 22 from 12 – 6 pm. If you or anyone you know might want to volunteer, please join us. If you can email me skills you have or would like to learn, we will accommodate all requests.
Thanks for all you do,
Matthew Karl Weber
June 30, 2015 § Leave a comment
One of the most exciting aspects of my work as the Artistic Director with Eclectic Full Contact Theatre has been our partnership with Metropolis over the past three seasons. We’ve had the opportunity to present three very different comedies, ranging from the slapstick of “The Complete Works of William Shakespeare (abridged)” to the verbal sophistication of Neil Simon’s “Laughter on the 23rd Floor”. This year we are thrilled to present Ken Ludwig’s brilliant farce “Moon Over Buffalo”.
Rehearsing a farce is always a challenge. The set has 4 doors and 2 curtained entrances. The actors have to remember which of the 6 entrances to use each time they run on or off the set. The slamming of doors sets off actions and reactions, so during rehearsals, actors tend to yell SLAM when they enter or exit the room. We have the long staircase taped out on the floor so the actors can get a feel for running up and down the stairs. Props are carefully placed (and sometimes destroyed) as we figure out how thoroughly we can beat someone with a newspaper, or how far we can throw a phone. The actors don’t have to go to the gym to get in their cardio during this rehearsal period!
Speaking of actors, we have a great team of excellent comic performers on the stage. Some you will recognize from other Metropolis shows. Andrew Pond and Lisa Savegnago both starred in “Out Of Order”, and have been seen in several other shows here. Nancy Kolton is remembered from her star turns in “Nunsense” and “Damn Yankees”. Michelle Ziccarelli showed off her versatility in “The Boys Next Door”. Katie Hunter dazzled in two roles in “Half and Half” recently. Then we have some newcomers to the Metropolis stage, including Ryan Jozaitis, Jeff Irlbeck and Rob Reinalda (Rob actually understudied here, but this is the first time he gets to hit the stage in front of the Metropolis audience!).
Tomorrow we move on to the stage and get to start running the stairs and slamming the doors for real. We then have a week to get everything finished off before our first preview next Thursday, July 9. Our brilliant team of designers will be working with our cast to make sure the costumes are spectacular, the lights are brilliant, the sound is divine, and the set a work of art (and one of the characters in any farce). We hope you’ll join us this summer to laugh away a couple of hours at “Moon Over Buffalo”!
March 4, 2015 § Leave a comment
An Evening with C.S. Lewis, featuring British Actor David Payne, is a drama production that has proved to be an enthralling theatrical experience for the many thousands who have attended its performances. Written and directed by Payne and infused with the humor that Lewis was renowned for, it is a fascinating and absorbing insight into the life of a man who became a legend in his own lifetime.
An Evening with C.S. Lewis
The year is 1963 and C.S. Lewis, the famous British author, is in the twilight years of his life and has agreed to give an informal talk to a group of American writers who are visiting England. They have come to Lewis’ home, just outside of Oxford, and are eagerly anticipating hearing the man whose celebrity once landed him on the front cover of Time magazine. Lewis is in great form and his audience is spellbound as, with a display of oratory and humor that made him one of England’s most famous public speakers, he recounts the significant events and the people that shaped his life.
David Payne was born in London and began his business life as a Structural Engineer. In the early nineties he and his wife moved to Nashville, TN but just prior to their Nashville move they attended the West End play Shadowlands. So when he came across an audition notice for a Nashville production of Shadowlands his curiosity was aroused, and all the more so when it stated “British accents a help!” Armed with his British accent he went along hoping to land a small part. He landed the lead role! When Shadowlands opened its sold-out run at Nashville’s prestigious Tennessee Performing Arts Center who should be on the front row but Lewis’ stepson, Douglas Gresham. Since that time Payne and Gresham have become firm friends. The reviews of Payne’s performance were so positive he decided to turn his attention to developing a one-man show featuring the author he first met in his teens when he was given a copy of Screwtape Letters. Thus was born An Evening with C.S. Lewis which has now logged up over 500 performances worldwide. Apart from Shadowlands and An Evening with C.S. Lewis, Payne has performed Lewis in two other self-penned plays; Weep for Joy, a drama that further explores the relationship between Lewis and his American wife Joy and St Jack & The Dragon a play that explores the relationship between Lewis and his adopted mother. A television special of An Evening with C.S. Lewis is scheduled for taping in May 2015 and an Off-Broadway run is scheduled for Spring 2016.
Though C.S. Lewis has been dead for over 50 years, almost all his books remain in print and most are still best sellers. He was a close friend of J.R.R. Tolkien, and both authors – arguably two of the most successful of the 20th century – wrote all their books in their ‘spare time.’ Though Lewis’ writings spanned a broad range of subjects he is probably best known for his classic children’s series, The Chronicles of Narnia. First launched in 1950 with publication of The Lion, The Witch & The Wardrobe, all seven books remain among today’s most successful children’s books and three have been turned into blockbuster movies. Recognized as one of the great intellects of his day, Lewis always retained a great capacity for simplicity and humor and though he achieved both fame and fortune in his lifetime he remained quite indifferent to both. Indeed, he gave most of his fortune away. An Evening with C.S. Lewis takes you into the unique world of a man who lived a simple life in a modest house on the outskirts of the city of Oxford.
February 11, 2015 § Leave a comment
Metropolis’ 2015 Wine Tasting was a huge success, with the event well exceeding expectations and selling out with over 200 attendees! We have to thank Tuscan Market and Wine Shop and their wine distributors for their support. Attendees enjoyed a wide array of wines from six different distributors including Glunz Family, 90+ Cellars, Pinnacle, Southern, Heritage and Wirtz. Everyone walked away with their complimentary Metropolis wine tasting Napa style wine glass. In addition to the sampling of delicious wines there were hors d’ouevres with plenty of crackers and cheese to cleanse palettes and a tasty treat generously provided by Nothing Bundt Cakes. Attendees also enjoyed a raffle, participated in spinning our wheel of wine for raffle prizes, and had their taste buds tested in our “So you think you know wine?” game. The winners of this particular game won the coveted golden wine snob award and our grand prize raffle winner walked away with a bottle of Chateaux Letour valued at $1,600. We are so proud of our wonderful school of the performing arts students who volunteered to perform, Nathan Vartivarian on guitar and Cameron Obrecht are featured in the pictures below. Thank you to everyone who attended and we hope to see you again next year for what we hope to be a popular annual event. We think it’s the prefect opportunity to get everyone out to enjoy some wine in the dreariest part of our Chicago winters. We can’t wait for next year, sure to be even bigger and better!
January 20, 2015 § Leave a comment
By Bill Neumann
I saw Metropolis’ production of Private Lives on the Thursday preview performance and was very impressed by the timing of this production. The pacing in this type of play is very difficult to get correct and they did a fantastic job. It seemed like they had been performing for months, not just the first preview performance. The cast blended together and the relationships were very believable. You know that the relationships created on stage are believable when the audience is reacting with gasps and exclamations. The set was wonderfully constructed and I was impressed by the set change between the first two acts as well as the lighting. To sum things up it was a great production showcasing a believable and realistic interpretation of married people.
January 12, 2015 § Leave a comment
Whenever I start directing a show I first think of what makes this play accessible to a modern audience. At first this seemed easy; Noel Coward’s shows are perfect for the time and place we as a culture are living in right now. At the end of the 1920’s living glamorously was what everyone aspired to. Drinking cocktails, smoking, living in Paris and looking great while doing it were the sought after norm. One look inside the pages of GQ, Vanity Fair or any other fashion journal and you can see that all these things are coming back. The artisanal cocktail is back, along with, one of last year’s biggest hair trends, the bob or pixie cut for women and mustaches for men. In addition, men and women’s fashion websites are more numerous now than ever before. Men, especially have started returning to a time before business-casual was the norm for everyday wear. We are living in Noel Coward’s world re-born.
But why has the show remained so popular through the years? Since starting the rehearsal process what I’ve realized is just how timeless the story and the characters are. While the fashion has come back around what has made this play endure throughout the decades has been its relationships. On the page Amanda and Ellyot’s relationship should not work. Amanda says to her current husband Victor at the top of the play “That was the trouble with Elyot and me, we were like two violent acids bubbling about in a nasty little matrimonial bottle.” But that’s exactly what makes them click. Some people are looking for love to be “wise, and kind, and undramatic. Something steady and sweet, to smooth out your nerves when you’re tired. Something tremendously cosy; and unflurried by scenes and jealousies.” as Elyot tells his new wife, Sybil. Most people, when they imagine their perfect relationship, are probably looking for that. However, real life never lives fully up to our expectations. Elyot and Amanda find love in argument, passion and bucking current trends. They find love in the exact opposite ideal of what society says they should want. The title “Private Lives” really says it all. The outside world looking in would never understand what makes this relationship work, but they don’t need to. All that matters is that it works for them.
In this version I promise you that the show presents laughs, tears, jazz and a record being smashed over someone’s head. From the first production meeting everyone involved has been completely on board with the glamourous style of the late 1920’s. The set and the props immediately transport us to a world of art-deco of a Paris apartment and glamour of a swanky hotel. The light design takes us from the romance of the night through eye opening morning after when we think about the choices we made the night before. The sound design will put us in a jazz club in the roaring 20’s. There is also featured music including a bit “Dream a Little Dream of Me” first recorded in 1931 and “Someday I’ll Find You” written specifically by Mr. Coward for Private Lives.
In addition the actors have truly embraced what it means to be looking and moving great in the 1920’s. From the moment they put the costumes on for the first time they were transported to the world of the play, which only helped to add the wonderful work they have been doing since we started our rehearsals in December. This group of actors is one of the closet knit groups of people I have ever had the pleasure to work with. It’s incredibley hard to find truth in comedy, but I truly feel that these artists are doing just that. I am incredibly lucky to have had the pleasure to work with them. But, all that being said, there’s still work to be done! Opening night is less than a week away! Hopefully I’ll see you there.
Dylan S. Roberts
August 21, 2014 § Leave a comment
I was so excited to sign onto this project, because I had never done a true psychological thriller like this before. I had directed some intense pieces such as the musical JEKYLL & HYDE, but nothing like DIAL “M” FOR MURDER with so many twists and turns throughout. The other thing I loved about the show was that it took place during the 1950’s, a time period that I happen to love because of the overall sophistication and wardrobe. There’s just an elegance about it all that makes it intriguing to me.
The staff on this show is top notch. The great thing about it is that we were all on the same page from day one. The show is centered around The Wendice’s, a wealthy couple who reside in London. Since they were wealthy, it was important for me that we show the grandiose lifestyle that they live in. I also love levels, so having a platform raise upstage was something we thought would really give the set some dimension. There are some other fun tricks we’ve concocted for the show, including some brilliantly intense fight choreography by Claire Yearman, but I definitely don’t want to give anything away.
With all shows there are challenges to overcome. This show definitely has its share of challenges. The first big challenge are the props. This show is extremely specific when it comes to who has a key, who doesn’t have a key, or if the key is placed somewhere on stage or if it’s removed. The same thing goes with stockings, scarves, handbags, glasses. Sometimes during rehearsal, we find ourselves having a NOISES OFF “sardines” moment. We stop in our tracks and say “wait, who has the key now?” or “where is that handbag?” At times, though it can be frustrating, it tends to be comical after the fact. The other thing that is challenging, is that the script is also very specific in terms of directions. I, sometimes, try to ignore some of the stage directions so I have the opportunity to get creative, but with this play, I don’t really have that option most of the time. Most of the stage directions within the script are so important to the story and what happens next that we have no other option but to do what it tells us. However, even though we have some restrictions, I think we have created a lot of great moments and stage pictures in the show. I think the audience is really going to be at the edge of their seats.
In order to have a successful show, though, it really comes down to the casting. If you have a cast that has chemistry and trust, the possibilities are very exciting. The cast for DIAL “M” FOR MURDER is a group of fearless actors that are excited to explore during rehearsals. Directing needs to be a collaborative process; not just with fellow staff members and designers, but with the actors you’re working with as well. It’s important for a director to have an idea of what he/she wants, but at the same time, the actors involved need to be apart of that creative process. I feel so fortunate to be working with these talented artists, and I am looking forward to Opening Night!